Contemporary lens icon

16-300mm F3.5-6.7 DC OS

Wide-angle, super-telephoto and macro photography in one lens

L-Mount, Sony E-mount | Available April 2025
FUJIFILM X Mount, Canon RF Mount | Available May 2025

Interest-free credit available

Subject to status and terms

CONTEMPORARY

16-300mm F3.5-6.7 DC OS

16-300mm
F3.5-6.7 DC OS

Wide-angle, super-telephoto
and macro photography in one lens

L-Mount, Sony E-mount | Available April 2025
FUJIFILM X Mount, Canon RF Mount | Available May 2025

Interest-free credit available

Subject to status and terms

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16-300mm F3.5-6.7 DC OS
APS-C
coverage
F3.5-6.7
aperture
615g
in weight
HLA
motor
OS2
stabilisation
18.8x
zoom
67mm
filter size
1:2
ratio
Made
in Aizu

from

£599
inc. VAT
Mounts:  L-Mount | Sony E | FUJIFILM X Mount | Canon RF Mount
APS-C
coverage
F3.5-6.7
aperture
615g
in weight
HLA
motor
OS2
stabilisation
18.8x
zoom
67mm
filter size
1:2
ratio
Made
in Aizu

from

£599
inc. VAT
Mount:  L-Mount | Sony E | FUJIFILM X Mount | Canon RF Mount

Powerful yet portable

The Sigma 16-300mm F3.5-6.7 DC OS | Contemporary features an 18.8x zoom ratio, the world’s largest*1 for an APS-C format mirrorless lens.  Covering the entire range from wide-angle to super-telephoto, this extremely versatile lens brings the full range of photographic subjects within reach, from landscapes and portraits to wildlife and sports photography.

With a maximum magnification ratio of 1:2, the 16-300mm F3.5-6.7 DC OS | Contemporary captures detailed close-ups with ease. Its HLA (High-response Linear Actuator) motor provides exceptionally fast, smooth and accurate autofocus – ideal for fast-moving subjects such as birds and aircraft. The lens offers 6 stops of image stabilization at the wide end and 4.5 stops*2 at the telephoto end, helping photographers achieve blur-free results even at longer focal lengths and in low light.

This ultra versatile all-in-one zoom is the perfect tool for creative photographers who want to work in a wide range of photographic genres.

*1 As an AF compatible interchangeable lens exclusively for mirrorless, as of February, 2025 by Sigma.

*2 Based on CIPA guidelines. (Measured at a focal length of 16mm and 300mm using an APS-C camera)

Covering the entire range from wide-angle to super-telephoto, this extremely versatile lens brings the full range of photographic subjects within reach, from landscapes and portraits to wildlife and sports photography.

Wide-angle, super-telephoto and macro photography in one lens

The Sigma 16-300mm F3.5-6.7 DC OS | Contemporary is the world’s first mirrorless lens with an 18.8x zoom ratio. Equivalent to 24-450mm* in 35mm format, this portable lens covers everything from wide-angle for landscapes and interiors to super-telephoto for sports, wildlife and aviation.

* Approximately 25.6-480mm for the Canon RF Mount version.

Maximum magnification ratio of 1:2 at 70mm for striking close-ups

With a maximum magnification ratio of 1:2 at 70mm, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary provides excellent close-up performance, perfect for capturing flowers, insects and other small subjects in great detail. With a maximum magnification of 1:3 at the wide end and 1:4 at the telephoto end, photographers have access to a huge range of creative expression.

Small, lightweight and portable

Despite its impressive zoom range of 16-300mm, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary prioritizes high portability, measuring just 73.8mm in diameter by 121.4mm in length and weighing just 615g*. This is achieved through advanced mechanical and optical design, including a high refractive index glass element with significant thickness variation and an aspherical lens element.

* The figures are for the L-Mount version.

image stabilization for effortless
shooting with reliable results

To help photographers capture even the most fleeting moments, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary uses a High-response Linear Actuator (HLA) motor to achieve high-speed autofocus functionality with excellent drive accuracy.

blur-free results even at longer focal lengths and in low light.

Outstanding optical stabilisation
powered by the OS2 algorithm

Inspired by the same technology that powers Sigma’s super-telephoto lenses used by professional wildlife and sports photographers, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary features 6 stops of optical stabilization at the wide end and 4.5 stops at the telephoto end*. The latest OS2 optical stabilization algorithm provides superior image stabilization to mitigate the effects of camera shake, helping photographers achieve blur-free results without the need for a tripod, even when shooting in low light and at full zoom.

* Measured using an APS-C camera at focal lengths of 16mm and 300mm according to CIPA standards.

Equipped with a zoom lock switch

The Sigma 16-300mm F3.5-6.7 DC OS | Contemporary features a zoom lock switch that can be fixed at the wide end to prevent the lens from extending.

Dust- and splash-resistant structure* and water-repellent coating

Designed to help photographers work in all environments, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary features a dust- and splash-resistant structure for use in harsh conditions. In addition, the front element features a water- and oil-repellent coating that helps keep the lens free of contaminants.

* The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.

Uncompromising optical quality that redefines the standard for super-zoom performance

Consistently high image quality across the entire zoom range

Thanks to its advanced optical design with 1 FLD, 4 SLD and 4 aspherical elements, the lens has excellent aberration correction and delivers sharp results throughout the whole zoom and focus range.

Engineered to minimize flare and ghosting

By measuring light incidence under all conditions and using advanced simulation technology, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary guarantees superior resistance to flare and ghosting, allowing photographers to capture crisp, clear images in even the most challenging lighting conditions – just as an all-in-one lens should.

Suppressed focus breathing for consistent framing

The Sigma 16-300mm F3.5-6.7 DC OS | Contemporary is designed to effectively suppress focus breathing, making it a perfect choice for filmmakers as well as photographers working with multi-shot techniques such as focus stacking. Throughout the zoom range, changes in angle of view are kept to an absolute minimum when changing focus.

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FEATURE OVERVIEW

Made in Aizu /

All Sigma cameras and lenses are designed, manufactured and assembled at our sole factory at Aizu in Japan. This domestic production model is unusual in today’s industry, with most imaging companies opting to outsource to other countries to reduce costs. But SIGMA believes that keeping virtually all manufacturing, processing and assembly in Aizu is essential for creating innovative, carefully thought-out and impeccably constructed products that meet the high standards demanded by professional photographers and film-makers around the world.

Sigma chose Aizu as its main production base in the early 1970s. Situated at the base of Mount Bandai in the Fukushima Prefecture, about four hours’ drive north of Tokyo, Aizu has an abundance of very clean water from mountain streams, which is essential for grinding and polishing lenses. Sigma’s founder, Michihiro Yamaki, was also drawn to this area for its workforce, who have a reputation for their craftsmanship, work ethic and attention to detail. Mr Yamaki’s son, Kazuto Yamaki, now the owner and CEO of SIGMA Corporation, has the same unwavering commitment to keeping production in Japan.

Today Sigma’s factory is more than 50,000 square feet in size, and packed full of some of the most advanced optical manufacturing technology in existence. So when you buy a Sigma camera or lens you can be sure that virtually every single component part has been manufactured and assembled by SIGMA, in Japan, with the greatest level of care and attention. We hope you enjoy using our products.

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SIGMA SELECT

Try before you buy

If you want to see how a particular SIGMA lens or camera performs, why not test drive it with our SIGMA Select hire service. Available for selected SIGMA lenses, short-term loans are free of charge (including shipping), with a small fee if you want to test it for longer. Refundable deposit required. Subject to availability.

Awards /

More features /

Tech specifications /

Lens construction

20 elements in 14 groups

Angle of view

83.2°-5.4°

Number of diaphragm blades

9 (rounded diaphragm)

Minimum aperture

F22-45

Minimum focusing distance

17cm (W) - 105cm (T)

Maximum magnification ratio

1:2 (at 70mm)

Filter thread

67mm

Dimensions (diameter x length)

ø73.8mm × 121.4mm

Weight

615g

Corresponding AF mounts

L-Mount | Sony E | FUJIFILM X Mount | Canon RF Mount

L-Mount barcode

00-85126-887698

Sony E barcode

00-85126-887650

FUJIFILM X Mount

00-85126-887759

Canon RF Mount

00-85126-887728

Specifications are for L-Mount

Downloads /

SIGMA lens
catalogue 2024

Lens
manual

Download latest
firmware

Compatibility
chart

Compatible accessories /

Protects the rear optics and contacts from damage, dust...
The cloth has excellent water absorbing power and clean...
£7.00

Choose your mount /

Interest-free payment plan available on this product

20% deposit required. Remaining amount paid over 6 months.

SIGMA Imaging UK Ltd is not a lender. Credit is subject to status and affordability and is provided by Novuna Finance Ltd. 18+ years. Please note discount codes are not valid for purchases made with Novuna finance. Application at checkout. T&Cs apply.

About pre-orders /

This product is currently available to pre-order.

Full payment will be taken upon placing your pre-order and will be dispatched on the product launch date, subject to stock availability.

You can cancel your pre-order at any time by contacting us and providing your order number:

info@sigmauk.com
01707 329 999

Full terms and condition apply

Water and oil repellent

A special coating applied to the front element to help repel water and oil.

Magnification ratio

This describes the degree to which a lens can magnify an in-focus subject. The ratio shows the relationship between the size of the projection of a subject on the camera’s sensor (the left number) and its actual size in reality (the right number).

Full-frame lens

The lens has an image circle large enough to be used on a full-frame camera. It can also be used on cameras with a smaller ‘crop’ sensor, provided the mount is compatible.

Brass mount

The mount is the part of the lens that attaches to the camera body. A coated brass mount is used for strength, and is surrounded by a rubber seal to keep out dust and moisture.

AF MF switch

This switch toggles between autofocus and manual focus.

11 rounded blades

The diaphragm is constructed of 11 rounded blades for a circular aperture opening and round out-of-focus highlights.

Glossary

Found on the barrel of some Sigma lenses, this button can be assigned to various functions to widen the range of operations available on the lens (available functions depend on the camera model).
Allows users to change aperture using the lens rather than the camera. The ‘Auto’ button on the ring switches aperture control to the camera.
Some lenses with an aperture ring have a click switch, which allows users to remove the ring’s clicking action. This means the aperture can be changed completely seamlessly rather than in stepped 1/3-stop increments. The function is ideal for film-makers.
This switch locks the aperture ring in either manual or auto, ensuring it can’t get knocked out of position when shooting.
One of the three lines of Global Vision lenses. The Art range includes a mixture of primes and zooms, which boast fast apertures, superb optics and exceptional build quality.
A type of lens element found in most Sigma lenses. Aspherical elements compensate for spherical aberration and distortion, which cannot be completely eliminated using conventional spherical lens elements alone. They are also key to reducing the size and weight of high-power zooms and other large lenses while improving image quality. Hybrid aspherical elements are made by bonding two elements together, one of which is glass and one of which is a polymer. Precision-molded glass aspherical elements are made by direct forming.
All Sigma lenses have a brass mount. It combines high precision with rugged construction and its treated surfaces and enhanced strength contribute to the long-term durability of the lens.
A light but strong material used on some Sigma lenses. It is also used in the interior and exterior fittings of aircraft, among many other applications.
Designed with size and weight in mind, these highly portable primes and zooms are designed for photographers who need to travel light, but without sacrificing image quality. Contemporary lenses typically don’t have such wide maximum apertures as Art lenses in order to keep their weight down, but do not compromise on optical performance. The I series range is part of the Contemporary line-up, sporting have an all-metal build and a manual aperture ring.
Designed for crop-sensor cameras. They can also be used on full-frame bodies, but only in crop mode.
Designed specifically for mirrorless cameras. Some non-DN lenses also fit mirrorless cameras, but these were designed originally for DSLRs and later adapted. DN lenses tend to be smaller and lighter.
This is found on some longer Sigma lenses, such as the 60-600mm F4.5-6.3 DG DN OS | Sports. It allows the user to zoom either by turning the zoom ring, which is very accurate, or by pushing and pulling the end of the lens, which is very fast. This makes the lens very adaptable to different types of fast-action subject.
A series of weather seals around the mount connection, manual focus ring, zoom ring and cover connection to keep out dust and water. Although this construction allows the lens to be used in light rain, it is not the same as being waterproof, so please prevent large amounts of water from splashing on the lens.
The three-digit code printed on the surface of the lens is to indicate the year the lens was first released. 019, for example, denotes 2019.
A now near-defunct designation used to denote Sigma’s higher-end lenses. The only remaining current EX lens is the 105mm F2.8 EX DG OS HSM MACRO.
The degree to which light is refracted by glass depends on the light’s wavelength. This fact causes different colours of light to focus at slightly different points. The result is chromatic aberration, the colour fringing that is particularly noticeable in telephoto lenses. ELD glass is a type of glass used in Sigma lenses with low dispersion qualities, which helps to keep chromatic aberration to a minimum.
The degree to which light is refracted by glass depends on the light’s wavelength. This fact causes different colours of light to focus at slightly different points. The result is chromatic aberration, the colour fringing that is particularly noticeable in telephoto lenses. FLD glass is ultra-low-dispersion glass that offers performance of the highest level. Highly transparent, its refractive index and dispersion are extremely low as compared to conventional types of glass. It offers characteristics very similar to those of fluorite, which is valued for its anomalous dispersion. These characteristics minimise residual chromatic aberration (secondary spectrum), which cannot be corrected by ordinary optical glass, while helping to produce sharp, high-contrast images.
This system adjusts the distance between lens groups during focusing, thereby reducing the amount of lens movement required. The result is less aberration at different shooting distances.
This switch, found on selected Sigma telephoto lenses, allows users to limit the focusing range to either near distance or far distance. This helps speed up AF, and also ensures the camera won’t attempt to focus on an unwanted area of the frame. For example, when photographing zoo animals through a wire fence a photographer could set the focus limiter to, say, 10m–infinity, to stop the camera continually trying to focus on the fence, which is nearer to the camera than the subject. On some Sigma L-Mount lenses, the distances on the limiter can be customised via the USB Dock.
Allows user to toggle between focusing modes. On most Sigma lenses the options are AF and MF, but some lenses also have a Manual Override (MO) button, which allows manual focus by rotating the focus ring even during continuous AF.
HLA is SIGMA’s proprietary linear motor. It drives the focus lens directly without going through gears or other mechanical parts, resulting in quiet, high-precision and fast autofocus. The first lens to have an HLA motor was the 60-600mm F4.5-6.3 DG DN OS | Sports in early 2023.
Some Sigma lenses have a lockable lens hood to ensure they aren’t accidentally removed during use. Some work with a simple release button, while others have a screw action.
The Hyper Sonic Motor (HSM) is an original Sigma development that uses ultrasonic waves to drive the autofocus mechanism. It’s extremely quiet operation helps avoid disturbing photographic subjects. High torque and speed assure rapid autofocus response. Sigma uses two types of HSM: ring HSM and micro HSM. The Ring HSM configuration permits manual fine tuning of focus (Manual Override) by turning the focusing ring after autofocus is complete.
This sensor can detect the position of the focus lens with a high degree of precision by using a magnetic signal. This is done in real time to improve AF accuracy.
To increase stability, this lens configuration uses movable internal lens elements that adjust focus without changing the length of the lens barrel.
Some Sigma lenses incorporate an Inner Zoom mechanism, meaning the barrel of the lens doesn’t change length when zooming in or out. This ensures the lens remains balanced, and since the front of the lens does not rotate, polarising filters can be used with extra convenience.
This is a stabilisation algorithm that enables photographers to pan more effectively. It uses information collected by an acceleration sensor to detect a panning movement (horizontal, vertical or diagonal) and deliver effective stabilization. This feature is available on all Sigma telephoto lenses that have OS switches 1 and 2 (with the exception of the SIGMA 120-300mm F2.8 DG OS HSM | Sports).
Based on the optical characteristics of the lens, this function performs in-camera corrections of peripheral illumination, chromatic aberrations, distortion, and more, to further enhance image quality. It is recommended to leave all corrections turned in the camera’s menu. Not available on all camera models.
This is a protruding lip built into the front of the lens to help keep a lens heater firmly in position. Lens heaters are used by astro photographers to prevent condensation forming on the front element.
Linear focusing simply means that the movement of the focus ring is consistent with the change to the focusing distance, regardless of how quickly the ring is rotated. This is common to all mechanical focusing systems. Non-linear focusing, which is found on Sigma’s mirrorless DN line of lenses, is an electronically controlled focus system where the sensitivity of the ring changes depending on how fast it is rotated. On some of Sigma’s DN lenses, users can switch between linear and non-linear focusing using the USB Dock, and also change the focus throw of the lens.
The magnification ratio of a lens describes the maximum size at which an object can be reproduced on the camera’s sensor. For example, if an object is 1cm long, and a lens can photograph it so that the impression on the sensor is also 1cm long, the magnification ratio is said to be 1:1. If the impression on the sensor were 0.5cm, the magnification ratio would be 1:2. Sigma’s macro lenses are true macro because they have a 1:1 magnification ratio.
The MFL switch disengages the focus ring on the lens. After manually focusing the lens to the desired position, users can set the MFL switch to ‘LOCK’ in order make the focus ring completely inactive. This prevents the focus of the lens from being moved by accident (such as when attaching a lens heater or changing the composition). The focus ring can still be rotated but will have no effect.
When Focus Mode switch is set to the MO position, the lens may be switched to manual focus simply by rotating the focus ring, even during continuous AF. The MO function is only available on some Sigma lenses.
An MTF chart helps show the optical performance of a lens. On the horizontal axis (x-axis) the figure represents the distance in mm from the centre of the lens. On the vertical axis (y-axis) the figure represents the transmission of light that travels through the lens, with 1 being 100% of the light (which is not possible on any lens). The higher this number, the better. At the centre of the lens (0 on the bottom axis), the transmission of light should be highest, and then it falls off slowly towards the edge. There are two types of MTF chart. One considers the diffraction quality of light, which is called ‘Diffraction MTF’. The other, ‘Geometrical MTF’, does not.
Sigma’s Nano Porous Coating is a lens coating that is designed to make a lens less susceptible to strong incident light, such as backlight. It uses porous silica, which has nano-sized holes containing air, as the coating material. Having holes of this size enables a large reduction in the refractive index, allowing the reflectance to be lowered more than conventional anti-reflective coatings. As a result, reflected light causing flares and ghosting is sharply reduced, yielding clearer, higher contrast images.
SIGMA’s OS (Optical Stabilizer) function uses sensors inside the lens to detect motion, then moves specific lens elements in order to effectively minimise blur. Owing to the stabilised image in the viewfinder, it is possible to fine-tune composition and ensure accurate focusing.
A small number of Sigma wide angle lenses have a rear filter holder. This allows sheet-type filters, which are about the size of an SD card, to be inserted behind the rear element. Rear glass filters can be purchased, or filters can be cut from a special sheet using a guide plate as a template.
The polygonal shape of a conventional iris diaphragm causes out-of-focus points of light to appear polygonal. Rounded diaphragm blades are designed to make the aperture opening circular, producing circular out-of-focus highlights at wider apertures.
The degree to which light is refracted by glass depends on the light’s wavelength. This fact causes different colours of light to focus at slightly different points. The result is chromatic aberration, the colour fringing that is particularly noticeable in telephoto lenses. SLD glass is a type of glass used in Sigma lenses with low dispersion qualities, which helps to keep chromatic aberration to a minimum.
Sigma’s Sports line of lenses is made up of telephoto primes and zooms designed for fast-action photography, such as wildlife, sports, motorsport and aviation. Sports lenses tend to have a wide range of features, superb image quality, weather sealing and very fast autofocus.
Lenses with a stepping motor are capable of smooth, quiet and high-speed AF, and are compatible with Face/Eye Detection AF and video AF.
SIGMA’s Super Multi-Layer Coating suppresses flare and ghosting by minimising reflections within the lens. All lenses in the current Sigma range feature this technology. On digital cameras, flare and ghosting may also be caused by reflections between the image sensor and lens surfaces. Here too, the coating is highly effective, ensuring images with outstanding contrast.
An F stop, which is how the aperture value is expressed on a still lens, is measure by the size of the opening that lets through the light. On cine lenses, a T stop value is used instead, which also takes into account how much light is lost as it travels through the lens. This is why Sigma cine lenses have slightly different T stop values to the F stops values on the equivalent stills lenses.
Often called an extender, a teleconverter is a device that can be fitted to the rear of a lens to effectively increase its focal length. 1.4x converters increase focal length by 1.4 times, but at the cost of roughly one stop of light, and 2x converters increase focal length by 2 times but at the cost of roughly two stops of light.
Tripod socket Some longer Sigma lenses have a tripod socket attachment. Usually the socket is included with the lens, except on the 100-400mm F5-6.3 DG DN OS | C, on which it can be purchased separately. Some tripod feet have an Arca Swiss type shape, so can be attached straight on to a compatible tripod. The purpose of a tripod foot is to ensure the lens is properly balanced on a tripod. Without one, a tripod plate would need to be attached to the camera, which when used with a long, heavy lens, would place a great deal of strain on the lens and camera mount.
TSC is a type of polycarbonate with a thermal expansion rate similar to that of aluminium. This means that all parts that make up the lens barrel behave in a similar way as temperatures change, which ensures consistent results in all environments.
A special lens coating that allows water to be wiped away easily and prevents oils from sticking to the surface, even in challenging shooting conditions.
The Zoom Lock switch fixes the zoom ring at a specific focal length to help stop lens creep. Some lenses can only be locked at the widest focal length to keep the zoom locked during transportation, while others can be locked at two or more different focal lengths in the zoom range.
Introduced with the SIGMA 150-600mm F5-6.3 DG DN OS | Sports, the Zoom Torque switch changes the resistance of the zoom ring. At the ‘S’ setting, the ring has lower resistance and is easiest to turn. At the ‘T’ setting, the ring has greater resistance. At this setting lens creep is less likely. At the ‘L’ setting, the ring is locked in position.

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