Introducing the SIGMA 28-45mm F1.8 DG DN | Art – SIGMA CEO Kazuto Yamaki

Discover the versatility of the SIGMA 28-45mm F1.8 DG DN | Art. Videographer Yuichiro Fujishiro used the lens to create this thoughtful short film about artisans and their craft. https://youtu.be/P4m69eOpfmg 28-45mm F1.8 DG DN The world’s only full-frame zoom with an F1.8 aperture Find out more

Wedding photography with Anotina Moers – SIGMA 24-70mm F2.8 DG DN II | Art

UK-based Pro photographer Lea Tippett takes us to one of his all-time favourite landscape locations, and tells us about how he approaches it, the importance of repeat visits, and which lenses he uses. Check out Lea’s journey to the beautiful Welcombe Mouth Beach on the Devon-Cornwall border, and find out tips on how you can […]

SIGMA 24-70mm F2.8 DG DN II | Art – Travel Vlog – Sample Footage

The SIGMA 24-70mm F2.8 DG DN | Art is perfect for everyday adventures. Its F2.8 aperture allows for shallow depth-of-field effects in both video and stills. Use the close focus of 17cm to easily compose your shots, even in low-light situations. https://youtu.be/s3aa-CXqngw 24-70mm F2.8 DG DN II A classic reimagined Find out more

How to nail your favourite landscape location with SIGMA pro Lea Tippett

UK-based Pro photographer Lea Tippett takes us to one of his all-time favourite landscape locations, and tells us about how he approaches it, the importance of repeat visits, and which lenses he uses. Check out Lea’s journey to the beautiful Welcombe Mouth Beach on the Devon-Cornwall border, and find out tips on how you can […]

SIGMA Art vs Contemporary

Ever wondered what the real-world differences are between Sigma’s Art and Contemporary lenses, and which one might suit you better? Tim from Sigma UK breaks it down in this on-location comparison video. https://youtu.be/sdMS82pP7YQ

Mont Blanc Voyage (Un Voyage Blanc) – SIGMA Cine

Shooting on the border between France and Italy, director Stephan Massis, AFC and the team brave freezing temperatures on a expedition to the peaks of Mont Blanc. Shot entirely using SIGMA Cine lenses on a RED Monstro. DoP / Director : Stephan Massis, AFC Shot on SIGMA CINE: 20mm T1.5, 24mm T1.5, 35mm T1.5, 50mm […]